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Martin Scorsese’s Netflix unique film The Irishman is truly getting hauled on the web so the official Twitter account Netflix Film chose to do somewhat genial hauling back. Hey, it’s only fair. The account responded to a tweet – in which it wasn’t even tagged – that made a joke about the best way to watch The Irishman.
A film that was produced for Netflix but received a limited theatrical run. In an ongoing meeting with movie pundit Peter Travers, the incredible chief recommended that The Irishman should be seen on the greatest screen conceivable. Scorsese goes on to say,”An iPad, a major iPad, possibly. Review of Netflix Original Movie “The Irishman (2019)”. All things considered, you presumably know where this is going.
THE IRISHMAN, named the Best Film of 2019 by the National Board of Review. pic.twitter.com/XuybI0Ayne
— Netflix Tudum (@NetflixTudum) December 3, 2019
Review of The Irishman (2019)
In light of that comment, a few nervy troublemakers took to Twitter, posting pictures of themselves viewing The Irishman on each modest gadget known to man. For example, one tweet featured a viewer watching Scorsese’s film on an Apple Watch, along with the caption: Now Watching The Irishman the way Scorsese intended Another joker – who unmistakably has some better Photoshop aptitudes – appeared than watch the film on old fashioned Nintendo Game Boy.
The subtitle read: He said I could watch on this. But the comment that drew the attention of Netflix Film came from Comic Book Debate lead writer Donna Harrington, who cheekily claimed: debated watching The Irishman on my phone for this four-hour bus ride. The Netflix account proposed that Harrington was half right, answering with: He completely Will shows up however rather than a beating he will just sit opposite you for the whole film and twinkle his eyes in a fantastic paternal manner.
Says, It’s ok my child, formats and presentation matter, but your experience of art is valid no matter how you receive it. The Irishman Review. Pretty funny, sure but it doesn’t really sound like something Scorsese would say, does it? Perhaps that’s because, in recent months, the legendary filmmaker has offered up an awful lot of opinions about the mainstream film.
Lupita Nyong'o wins Best Actress and #TheIrishman takes home Best Picture at the New York Film Critics Circle Awards.
— Rotten Tomatoes (@RottenTomatoes) December 4, 2019
They haven’t exactly been well-received. The Great Scorsese Blowback of 2019 began with three little words, uttered during an interview with Empire magazine in early October: That’s not cinema. The director was referring to superhero films in general, and the movies of the Marvel cinematic universe in particular.
Needless to say, many fans of the MCU franchise – along with some actors and directors who worked on the films – took issue with that statement. Scorsese’s subsequent attempts to clarify his remark didn’t go particularly well, either. The Irishman Review. As The Hollywood Reporter noted, he effectively doubled down a couple of weeks after his Empiremagazine interview, saying, Theaters have become amusement parks.
That is all fine and good but don’t invade everything else in that sense. It’s not my kind of thing, it simply is not. It’s creating another kind of audience that thinks cinema is that. In response to the mounting criticism over these comments, Scorsese penned an editorial for The New York Times in early November entitled, I said Marvel movies aren’t cinema. Let me explain. The lengthy piece basically fleshes out his original statement. At one point, he writes, Many of the elements that define cinema as I know it are there in Marvel pictures.
What’s not there is a revelation, mystery or genuine emotional danger. Nothing is at risk. Once again, everybody from Guardians of the Galaxy director James Gunn to Disney CEO BobIger wound up criticizing Scorsese’s take on the MCU franchise. Review of Netflix Original Movie “The Irishman (2019)” Of course, it must be said that The Irishman is an excellent film.
Starring Scorsese mainstays like Robert De Niro, Joe Pesci, and Harvey Keitel – and adding less than Al Pacino into the mix – The Irishman has earned Scorsese some of the best reviews of his career. It’s safe to say there wouldn’t be a controversy if Scorsese had simply stuck to talking about his new film while making the rounds. But that’s not really his style, is it? My concern is losing the screens to massive theme park films.